Updated 28 January, 2023
This page brings together basic information about the Bassa Vah script and its use for the Bassa language. It aims to provide a brief, descriptive summary of the modern, printed orthography and typographic features, and to advise how to write Bassa using Unicode.
𖫞𖫫𖫰 𖫐𖫭𖫱𖫐-𖫗𖫭𖫰𖫞𖫭𖫰 𖫑𖫫𖫱 𖫔𖫬𖫱𖫞𖫬𖫱𖫭𖫱𖫐-𖫕𖫭𖫰 𖫔𖫪𖫰𖫬𖫲, 𖫞𖫫𖫰𖫬𖫱 𖫕𖫨𖫲𖫐-𖫕𖫪𖫱 𖫒𖫫𖫰𖫭𖫰𖫐 𖫛𖫩𖫰𖫞𖫩𖫰𖫬𖫲 𖫔𖫬𖫰𖫭𖫱𖫐 𖫛𖫨𖫐𖫵 𖫑𖫫𖫰 𖫛𖫧𖫲 𖫔𖫫𖫰𖫞𖫫𖫰 𖫠𖫭𖫱𖫞𖫭𖫱𖫭𖫲-𖫥𖫩𖫲𖫭𖫱𖫐 𖫠𖫩𖫱𖫞𖫩𖫱-𖫕𖫪𖫱𖫧𖫱 𖫑𖫫𖫱 𖫞𖫬𖫲 𖫔𖫪𖫱𖫐𖫭𖫲𖫐 𖫛𖫨𖫰𖫐-𖫛𖫨𖫰𖫐 𖫒𖫨𖫱𖫫𖫱𖫭𖫱𖫐 𖫞𖫫𖫰 𖫕𖫨𖫲𖫪𖫰𖫐, 𖫑𖫫𖫰 𖫛𖫧𖫲 𖫔𖫫𖫰𖫞𖫫𖫰 𖫔𖫬𖫰 𖫛𖫧𖫲𖫧𖫱 𖫕𖫪𖫲𖫐-𖫞𖫬𖫱 𖫑𖫫𖫰 𖫝𖫩𖫲 𖫔𖫪𖫲𖫐𖫭𖫱𖫐 𖫔𖫩𖫰 𖫞𖫭𖫰𖫭𖫰 𖫑𖫧𖫱𖫵
The Bassa Vah script is used to write the Bassa language spoken in Liberia and Sierra Leone, and by Bassa speakers in Brazil and the Caribbean. It is not widely used at present, although there are some ongoing efforts to revive its use.
𖫢𖫧𖫳𖫒𖫨𖫰𖫨𖫱 ba⁴sɔ¹ɔ² (Ɓǎsɔ́ɔ̀) Bassa
According to ScriptSource, "the script developed from the earlier Bassa communication system of signs made from chewed leaves or carved into trees and left in set locations where they would be found and interpreted. As this system developed, it was employed by the Bassa people to avoid slave traders, so was suppressed by colonial powers and became almost extinct".
Wikipedia takes up the story: "Dr. Thomas Flo Lewis, who rediscovered the script in South America from descendants of Bassa Slaves taken to the Americas ... instigated publishing of limited materials in the language from the mid-1900s through the 1930s, with its height in the 1910s and 1920s. It is alleged that some of the signs are based on native Bassa pictograms revealed by a former slave. It is not clear what connection it may have had with neighboring scripts, but type was cast for it, and an association for its promotion was formed in Liberia in 1959."
Sources: Scriptsource, Wikipedia.
The Bassa Vah script is an alphabet. Both consonants and vowels are indicated by letters. See the table to the right for a brief overview of features for the modern Bassa Vah orthography.
Bassa Vah text runs left to right in horizontal lines.
The script is monocameral. Words are separated by spaces.
23 consonant letters are used for Bassa Vah, 3 of which are used for more than one sound. The alternative is usually triggered by nasalisation of the syllable. ❯ consonants ❯ ambiguous
There are no special arrangements for consonant clusters, but in rapid speech when a morpheme has 2 consonants, the first vowel is collapsed. ❯ clusters
Bassa Vah vowels are straightforward. There are 7 vowel sounds and 7 vowel letters. Vowel letters can be used in standalone positions without any support. ❯ vowels
In some contexts the vowel of the initial syllable in a word is reduced, and may be omitted from the Latin transcription of that word. These are referred to as 'transitional' vowels. ❯ transitional
Syllables are mostly open, but may be followed by nasalisation, indicated in the script by a syllable-final n consonant ❯ nasalisation
Bassa has 5 tones, 2 of which are contour tones. Every syllable must have a tone mark, including standalone vowel sounds, and the mark is positioned in the centre of the vowel glyph. ❯ tones
For a much more detailed description of Bassa phonology, see Bertkau.b
These are sounds for the Bassa language.
Click on the sounds to reveal locations in this document where they are mentioned.
Phones in a lighter colour are non-native or allophones. Source Bertkau.
|c ɟ||k ɡ
|fricative||f v||s z||xʷ ɣʷ||h hʷ|
Bassa has 5 tones, 2 of which are contour tones.
The following table provides typical phonological transcriptions and descriptions for the five tones.
Bassa morphemes typically don't have final consonants, but do often end in a nasalised vowel.
The morphemes may begin with a consonant 'cluster', which is formed from an initial consonant followed by a 'transitional vowel', then another consonant. In rapid speech the transitional vowel is very short, and its sound is entirely predictable from the combination of consonants. In slow speech, the sound is the same as that of the 'full vowel' which follows the consonant cluster.b,8
A romanisation system such as that used by Bertkau omits the transitional vowel, eg. vnɛ̃̀, but the Bassa Vah script represents the transitional vowel with the same vowel symbol used for the full vowel, b,46 eg. 𖫣𖫬𖫱𖫐𖫐𖫬𖫱𖫐 vɛ²nnɛ²n
The above is a type of intervocalic consonant. The pattern CVCV usually only occurs for this or for one of the following reasons:b,8ff
Use of vowels is straightforward. These are the characters.
It is quite common to find vowels at the beginning of a word, and sometimes several together, eg. 𖫒𖫭𖫰𖫧𖫱𖫪𖫰𖫐
In rapid speech the vowel between an initial consonant and a medial consonant that is one of 𖫞 [U+16ADE BASSA VAH LETTER DO], 𖫔 [U+16AD4 BASSA VAH LETTER MBE], or 𖫐 [U+16AD0 BASSA VAH LETTER ENNI], the initial vowel is collapsed, in a predictable way. The initial vowel becomes a shortened version of the vowel that follows the medial consonant. The shortness is typically not shown in the Vah orthography, but may affect a Latin transcription, eg. 𖫞𖫧𖫰𖫔𖫧𖫰 𖫡𖫩𖫳𖫞𖫩𖫳 𖫣𖫬𖫱𖫐𖫐𖫬𖫱𖫐
In some cases, determined by personal preference, the initial vowel may be replaced with 𖫦 [U+16AE6 BASSA VAH LETTER WADDA],b2 eg.
𖫐 [U+16AD0 BASSA VAH LETTER ENNI] is used in syllable-final position to indicate nasalisation of the preceding vowel,sr eg. 𖫛𖫨𖫰𖫐-𖫛𖫨𖫰𖫐 wɔ¹n-wɔ¹n wɔ̃́-wɔ̃́
Bertkau reports that the ENNI glyph is sometimes attached to the vowel,b,46 something like this 𖫑𖫪𖫱𖫐𖫧𖫐 kũ̀ã̀ work
This section maps Bassa vowel sounds to common graphemes in the Bassa Vah orthography. Click on a grapheme to find other mentions on this page (links appear at the bottom of the page). Click on the character name to see examples and for detailed descriptions of the character(s) shown.
Vowel letters are shown here without tone marks, but should always be marked for tone in normal text.
Bassa Vah has 5 tone marks. Every syllable must have a tone mark, and they are positioned in the centre of the vowel glyph, eg. 𖫩𖫰 𖫩𖫱 𖫩𖫲 𖫩𖫳 𖫩𖫴 o¹ o² o³ o⁴ o⁵𖫫𖫰 𖫫𖫱 𖫫𖫲 𖫫𖫳 𖫫𖫴 e¹ e² e³ e⁴ e⁵
Tone marks are stored as combining marks immediately after a vowel letter. In a sequence involving standalone vowel sounds, each vowel will have a tone mark, eg. 𖫒𖫨𖫱𖫫𖫱𖫭𖫱𖫐 sɔ²e²i²n
Three letters each represent either a plosive or a nasal. The alternative sound is normally triggered by whether the syllable is nasalised or not, however there are estimated to be around 30 words which have oral vowels but nasal onsets.
𖫔 [U+16AD4 BASSA VAH LETTER MBE] represents both ɓ and m sounds. The pronunciation is usually m when followed by a nasalised vowel, ie. when the syllable ends with 𖫐 [U+16AD0 BASSA VAH LETTER ENNI].
The same applies to 𖫕 [U+16AD5 BASSA VAH LETTER YIE], which represents both dʲ and ɲ sounds.
Similarly, 𖫝 [U+16ADD BASSA VAH LETTER GBU], which is pronounced either ɡ͡b or ŋ͡m when followed by a nasalised vowel.
There is, however, no way to tell the pronunciation when followed by an oral vowel. For example, the following two words are written the same way:b,46
𖫔𖫧𖫴 ɓáà/máà friend/to make a mistake
In all these cases, the Latin script orthography shows the differences, ie. ɓ/m, dy/ny, and gb/gm.
𖫦 [U+16AE6 BASSA VAH LETTER WADDA] was added to the repertoire by Dr. Lewis, but never used by him. It represents the sound ɾ, which is an allophone of ɗ and appears only after t or d in a syllable initial 'cluster', but is generally written with 𖫞 [U+16ADE BASSA VAH LETTER DO].
This letter may also be used to indicate a transitional vowel (see transitional).
There aren't any real consonant clusters in Bassa. However, in rapid speech the vowel between two consonants in a bi-consonantal morpheme is collapsed, and this may be reflected in Latin transcription. For example, 𖫞𖫧𖫰𖫔𖫧𖫰
When 𖫐 [U+16AD0 BASSA VAH LETTER ENNI] appears before another consonant without an intervening vowel, it is nasalising the preceding vowel (see nasalisation).sr Two ENNI in a row indicates a nasalised vowel followed by an intervocalic n, and is always written this way to avoid confusion,b,46 eg. 𖫣𖫬𖫱𖫐𖫐𖫬𖫱𖫐
This section maps Bassa consonant sounds to common graphemes in the Bassa Vah orthography. Click on a grapheme to find other mentions on this page (links appear at the bottom of the page). Click on the character name to see examples and for detailed descriptions of the character(s) shown.
𖫔 [U+16AD4 BASSA VAH LETTER MBE] before an unnasalised vowel.
𖫞 [U+16ADE BASSA VAH LETTER DO] when initial.
𖫕 [U+16AD5 BASSA VAH LETTER YIE] before an unnasalised vowel.
𖫝 [U+16ADD BASSA VAH LETTER GBU] before an unnasalised vowel.
𖫔 [U+16AD4 BASSA VAH LETTER MBE] before a nasalised vowel.
𖫕 [U+16AD5 BASSA VAH LETTER YIE] before a nasalised vowel.
𖫝 [U+16ADD BASSA VAH LETTER GBU] before a nasalised vowel.
𖫞 [U+16ADE BASSA VAH LETTER DO] in medial position after t or d
𖫦 [U+16AE6 BASSA VAH LETTER WADDA] (rare).
𖫞 [U+16ADE BASSA VAH LETTER DO] in medial position after consonants other than t or d
Bassa Vah uses ASCII digits.
Bassa Vah text is written horizontally, left to right.
bidi_class properties for characters in the Bassa orthography described here.
This section brings together information about the following topics: writing styles; cursive text; context-based shaping; context-based positioning; baselines, line height, etc.; font styles; case & other character transforms.
You can experiment with examples using the Bassa Vah character app.
There appears to be no particular context-based shaping in Bassa Vah, and the writing is not cursive.
There are, however, some fonts that use slightly variant shapes for some letters. Also, the two-dot tone mark, 𖫲 [U+16AF2 BASSA VAH COMBINING MID TONE], is sometimes written with the dots horizontal, and sometimes vertical.
Tone marks need to be positioned relative to each vowel glyph to which they are attached.
There don't appear to be multiple combining characters associated with a single base.
According to ScriptSource, a lower case was developed in recent years by the Bassa Vah Association in the Americas. This case distinction is not yet supported by Unicode.s
Words are separated by spaces.
The sample above shows a number of instances where hyphens are used within a word, eg. 𖫐𖫭𖫱𖫐-𖫗𖫭𖫰𖫞𖫭𖫰 ni²n-di¹ɖi¹𖫕𖫪𖫲𖫐-𖫞𖫫𖫱 dᶯu³n-ɖe²
Generally, western punctuation is used, including commas, and periods.
, [U+002C COMMA]
. [U+002E FULL STOP]
𖫵 [U+16AF5 BASSA VAH FULL STOP]
? [U+003F QUESTION MARK]
Bassa Vah also has a native full stop, 𖫵 [U+16AF5 BASSA VAH FULL STOP], which can be used instead of the period.
Observation: fig_printed_page shows an example of printed Bassa Vah text that uses the ASCII comma and question mark, and western quotation marks. The full stop, however, is a native Vah sign.
It was once thought that a similar symbol was used for a comma, but it was decided that this was actually just a typographic error in one document.rc
Bassa texts typically use quotation marks. Of course, due to keyboard design, quotations may also be surrounded by ASCII double and single quote marks.
“ [U+201C LEFT DOUBLE QUOTATION MARK]
” [U+201D RIGHT DOUBLE QUOTATION MARK]
Observation: This is based on an excerpt of Bassa text provided by Charles Riley.sr
Observation: Bassa Vah text appears to be wrapped at word boundaries (see fig_printed_page).
Show (default) line-breaking properties for characters in the modern Bassa orthography.
Observation: The conclusions in this section are largely based on a single piece of printed text in Bassa Vah. It is difficult to draw firm conclusions about Bassa practice without exposure to more content.
Charles Riley provided some provenance for this sample: "The jpg was sent to me by Varnie N’jola Karmo, who I believe got it from the late Joseph Gbadyu. The origin of it probably goes back to Thomas Lewis, but it’s uncertain whether it was produced in Syracuse (early 1910’s), Dresden (late 1910’s), or Liberia (1950’s-1960’s). Whichever period it comes from, it is basically the earliest known sample to survive in some form.".
fig_printed_page shows printed Bassa Vah text that fully justifies text.
Content is organised into paragraphs that are indented initially.
Bassa uses the so-called 'alphabetic' baseline, which is the same as for Latin and many other scripts.
This section is for any features that are specific to Bassa Vah and that relate to the following topics: general page layout & progression; grids & tables; notes, footnotes, etc; forms & user interaction; page numbering, running headers, etc.
Thanks to the following people for making useful suggestions that were incorporated into the text: Charles Riley, Tim Slager.